We all need breaks. I was short of sleep, exercise, and vitamin D. I’ll be back next week. In the meantime, in this season of peace and thanksgiving, here is a woman’s voice about the American military empire. War will be part of our future as we fight over resources, and the American military empire will fade. I hope that the wars will be of the sort that do not devastate the environment using our advanced technologies. For example, the speaker omits the depleted uranium issues in Iraq and elsewhere. If we can delay these wars until we no longer have the power to splatter deadly toxins across the landscape or implode operational chemical and nuclear plants, then perhaps future generations will have a chance.
By way of XrayMike, this is the keynote speech from the June 2012 Science for Peace Annual Meeting, by H. Patricia Hynes titled Military Culture and Climate Change.
So what do we do now? At what point does one realize that his or her paradigm isn’t working anymore, and give up and walk out on empire? How do we start walking, and where do we go? Here are some quotes from notable people who are choosing to turn at the crossroads and walk away from empire and then to talk about the transition. These quotes highlight some of their answers to the question of “what now?” Continue reading Walking out on empire
“Before you get too exercised over the multiple idiocies and injustices of the current American medical situation just reflect for a moment that the whole creaking system cannot possibly survive no matter what the Supreme Court might have ruled or whatever Obama sought to accomplish. The US economic system is about to blow up. The banking sector has been kept technically alive on the life-support of accounting fraud since 2008, but that artful racket is coming to an end because sooner or later the abstraction called “money” must make truthful representations of itself in relation to reality, or else people cease to accept its claims of value. Without a functioning banking system none of the rackets organized into US health care can continue” (JH Kunstler, July 2, 2012).
Kunstler has succinctly summed up the big picture for American healthcare. We are slapping bandaids on empire’s heart attack. I am revisiting healthcare reform for two reasons. First, healthcare’s complexity creates a good exercise in broadening our scale of view. Secondly, now that healthcare reform is law, the question is, what does this new law mean for individuals at the small scale, and for the country at the larger national scale? Continue reading Slapping bandaids on empire’s heart attack
“Bruegel’s paintings of the Seasons and his Fall of Icarus celebrate peasant life for an industrious harmony with nature. This view of peasants is particularly clear in the Icarus where the sweeping panorama is anchored around the heroic figure of the plowman. . . . The husbandman was a familiar paragon of industry, moderation, and moral integrity, both in classical and early Christian writings. . . . Virgil’s account offers intriguing parallels to Bruegel with its extensive description of the peaceful, moderate plowman ignorant of the bellicose, avaricious ambitions of city dwellers seeking “kingdoms doomed to fall.” Horace, Columella, and Pliny also contrasted a past, moral country life to the present immorality of cities. In the golden age, even urban life was guided by the virtues of rural existence. Thus Pliny wrote of Republican Rome. “The agricultural class produces the bravest men, the most gallant soldiers, and the citizens least given to evil designs.” . . . The introduction of a setting sun may also suggest the timeless cycles of a golden age and a natural order indifferent to folly. See thus, the whole picture emerges as a cosmological panorama which goes on with its elemental rhythms, its husbandry and commerce, its life and death, its labor and folly, until the final day when those who have “plowed diligently” enter the harbor of God’s kingdom. With its elemental contrasts, the picture would have also suggested to its educated viewers one of the central questions of Renaissance humanism: what was human nature and how did it relate to nature’s wider orders.” (Baldwin, 1986, p. 101).
Thanks to Gail at Wit’s End for the Baldwin/Bruegel links above. The painting represents the tensions between agrarian and urban society that has occurred over and over in civilizations throughout history, as we pulse up into civilizations that later fail. Bruegel’s good plowman, sensible sailors, shepherd, and fishermen in the painting above are symbolic of a culture that harnesses earth, wind, and sun to live within the restraints of nature, in contrast to foolish, ambitious Icarus. Early scholars associated Icarus with urban technologies of “kingdoms doomed to fall.” What symbolic culture will represent us as empire wanes? Continue reading Symbolic culture clash at the end of empire